I have an exhibit coming up at the Jacobs Gallery and I would love for you to join me. I will be giving an artist talk on Nov. 6th at 3:30 pm and the Opening reception is that same day at 5:30 pm. I will also be at the Jacobs on Dec 4th at 5:30pm for the First Friday Art Walk. I hope to see you there.
Earth, Light and Stone
An exhibit of photography and sculpture
November 6, 2009 – January 2, 2010
ARTISTS
Anne C. Godfrey – photography ~ Scott Huette – photography
William Pickerd – sculpture ~ Jo Warren– photography
RELATED EVENTS
Artists’ Insight Gallery Talk: Friday, Nov. 6, 3:30 – 4:30 pm
Opening Reception: Friday, Nov. 6, 5:30 – 8:30 pm
Lane Arts Council First Friday ArtWalk:
Friday, Dec 4, 5:30 – 8:30 pm
Posted in AAD Community, Announcements, Art, Events, Exhibits, Photography.
Tagged with announcement, exhibit, jacobs gallery, Photography, sands of time.
By Scott Huette
– November 2, 2009
http://blogs.eugeneweekly.com/node/1266
‘Another artist, participating in the DIVA Studio Tour is photographer Scott Huette. However, this is not the first time he has opened his home-based studio in south Eugene; interested viewers can schedule an appointment to see his work. Huette also shares his studio space with his artistic partner, Sisy Anderson, who will also be participating in the studio tour. “My studio space helps me with my creativity by allowing me to withdraw from other aspects of my life,” Huette says. “It provides a space in which to focus specifically on my creative pursuits.”’
Posted in Announcements, Art, Events.
Tagged with news, open studio, press.
By Scott Huette
– October 20, 2009
“Celebrate Arts!” enters its eighth year of offering bold and unique art created by multi-generational artists. Each year it has drawn more entries and attracted artists from well outside western Lane county, and 2009 will further prove this show as one of the best in the region.
Celebrate Arts! entry deadline is Friday, October 16. Artists may submit up to four pieces of art. Please see the Celebrate Arts 2009 Artist Entry Packet for details. The prospectus can be downloaded from the FEC web site at www.eventcenter.org. The packet may also be requested by sending an SASE to Celebrate Arts! 2009, Florence Events Center (FEC), 715 Quince St. Florence, OR 97439, or call (541)997-1994.
2009 Celebrate juror, Scott Edward Huette, will be judging on November 4 and the show will run from Friday, November 6 through Sunday, November 15.
Returning this year is the very popular “Salon des Refusés” show. Art that is not selected for the Celebrate Arts Show will be displayed in a two-day show that will be open to the public, enabling everyone to view and purchase the many wonderful works of art that are entered in the competition.
All art enthusiasts won’t want to miss the widely popular 2009 Celebrate Arts!
Posted in Announcements, Art.
Tagged with competition, exhibit, florence, juried, juror, oregon, show.
By Scott Huette
– October 15, 2009
I was asked recently by a student working on a senior english project if I would respond to some questions about values and art. I thought they would be good material for this blog as well.
Hello,
My senior English class is doing a research paper on What does it mean to be human? The slant that I would like to take is with the music/arts and philosophy or the benefits aspect. For some of our primary sources, we need to have three interviews of professionals, not any one at our school. As I have done some research your name came into my field and I have a few questions that I would like to ask.
1. How are human values materialized in art?
Our values are a foundational element of who we are as individuals, as a society and as a species. Our values influence every choice we make from what we wear, what we eat, where we work, how we play, ultimately how we live our lives. It is no different for the art we create. The artist chooses a subject or a medium based on their personal interests and desires. Every stroke of a pen or brush or chisel is a choice the artist makes. Implicit in each mark is the motivation behind that choice. Those motivations and desires pass through the artists filters of values and beliefs before becoming that choice, thereby becoming manifest in the world and communicated both implicitly and explicitly in the physical work of art.
2. With cultural aspects, How does where you live, or your heritage affect our value on art?
Clearly the answer to this question is as unique as every individual and culture. At first thought, one might think that if an individual grows up in a culture or a family that values art and creativity that the individual would have those values so ingrained in the make up of their psychology that they would have no choice put to also value art and creativity. And where in many cases this is often true and a primary influence, in other instances it is not. I met a young man a few years ago in an art class. Let’s call him Mark. Mark was defiant and argumentative regarding every idea about the value of art that was presented to him. I asked Mark why he was taking this class if he felt so strongly that their was little value to art. He told me the story of how his father was an artist. That their family travelled all over the country as his father pursued artist residencies and exhibits and the other opportunities that artists explore. Mark then told me how he resented his father and art in general for the lack of foundation in his childhood. So I would make the case again that our cultural has a huge impact in how we value art, just not always in the way we might at first think.
3. Why do you believe that people will spend many amounts of money on specific piece of art?
Again the motivations are as varied as the individuals. Some are just looking for an investment. Like a stock or bond. Something that will hold its monetary value and ultimately appreciate in financial value. Some for the cultural value. The ownership of a piece of culture provides them with a sense of satisfaction or meaning. Some because they want to decorate their lives with objects of beauty or status. Others because they experience an emotional or intellectual connection with a work of art. Some as a memory of a place, person or experience. Whatever the motivation it says something about the values of the collector.
4. How do you believe that people benefit from art?
I believe that people benefit from art both from the creation of art and from the appreciation of art. Creativity is one of the primary gifts of the human species. At its base level creativity is life. We have the ability to tap into that life stream and channel it to manifest our hopes and dreams. The pure expression of that is no easy task. It is a task that few ever succeed in accomplishing. It is what I believe is the ultimate goal of art. Art is a teacher for us to grow and actualize our potential as human beings.
The appreciation of art also provides a tap into that life stream. Perhaps not in as direct an experience. A deep heartfelt appreciation for a work of art can be equally as transformative as the creation of a work of art. I have a work of art that I purchased recently from a local artist because the painting reminds me about a shadow facet of myself. The work reminds me what to be aware of in myself and to have faith in who I am and who I can be.
Posted in Art & Human Values.
Tagged with Art, human values.
By Scott Huette
– April 9, 2009
Well I finished my first 6′ cyanotype panorama for the installation, Sisy and I are working on titled “Remembrance”. I have two more to do now. I also need to finish mounting the image. I intend to mounted it like a Chinese hand-scroll and I am using the following book as my source.
Gulik, R. H. V. (1958). Chinese Pictorial Art as Viewed by the Connoisseur; Notes on the Means and Methods of Traditional Chinese Connoisseurship of Pictorial Art, Based Upon a Study of the Art of Mounting Scrolls in China and Japan. With 160 Plates, and 42 Actual Samples of Chinese and Japanese Paper, in Pocket (p. 537). Roma: Istituto italiano per il Medio ed Estremo Oriente.
Here are some pictures of the print in process and a final digital capture of the image.
Posted in Alternative Photographic Processes, Digital Negatives.
By Scott Huette
– September 25, 2008
Well I finished my first 6′ cyanotype panorama for the installation, Sisy and I are working on titled “Remembrance”. I have two more to do now. I also need to finish mounting the image. I intend to mounted it like a Chinese hand-scroll and I am using the following book as my source.
Gulik, R. H. V. (1958). Chinese Pictorial Art as Viewed by the Connoisseur; Notes on the Means and Methods of Traditional Chinese Connoisseurship of Pictorial Art, Based Upon a Study of the Art of Mounting Scrolls in China and Japan. With 160 Plates, and 42 Actual Samples of Chinese and Japanese Paper, in Pocket (p. 537). Roma: Istituto italiano per il Medio ed Estremo Oriente.
Here are some pictures of the print in process and a final digital capture of the image.
Posted in Announcements.
Tagged with cyanotype, panorama, Remembrance, scroll.
By Scott Huette
– September 25, 2008
I am working on a new project in collaboration with my partner Sisy. The working title it “Remembrance”. I am printing cyanotypes and she is painting over them with watercolors. Now for my part their have been a number of technical hurdles to overcome. First I want to do some split toning with the cyanotypes. So I have been experimenting with a variety of chemical toners. Mostly household products such at Tri-sodium Phosphate, borax, and tea. No real successes or breakthroughs their yet. Although, the tea looks promising. I have also been using a 2% citric acid solution as a developer which has been great! It has really allowed me to get 3-4 steps in the midtones. It softens the image quite a bit. Though the blue does not wash away nearly as much so the prints tend to be darker. This has allowed me to print with a higher contrast negative. Before using the citric acid I was applying a Photoshop correction curve in addition to a custom Quadtone RIP curve. The adjustment curve softened the contrast. One down side to the citric acid is that the solution becomes saturated with prussian blue VERY quickly and depending on the paper has a tendency to stain. Regardless I am having difficulty getting the highlights to clear. Well I have discovered that the bleaching effect of sodium carbonate helps with this issue.
The second hurdle is with the size of my negatives. Our final images are intended to be printed on moon palace rice paper, which is used for chinese brush painting, at a size of 17″ by 72″. From what I have read the epson print drivers on the Mac OS have a max length of 44″. Fortunately I am using Quadtone RIP for printing the digital negatives and it has a max limit of 128″. So I created a custom paper size of 17.2″ x 72″ (17.2″ because I want to print borderless and the epson manual suggests this for custom sizes). I scaled the image to 17.3″ (again based on info in the epson manual regarding borderless printing). Then I printed the image. the first two only printed halfway across the Pictorico OHP film and I can not identify what part of the image it was printing as it did not match any of the edges in the image. What was I to do? I tried printing using one of the provided paper sizes. I chose 17″ x 22″ centered in the Quad driver. This started printing all the way across the media. So I knew it was possible. Now what? I began searching only and final find this post in the Quadtone RIP forum on Yahoo!.
“re paper sizes: see the pdf that comes with the rip re the borders – basically
your
document size must be smaller than your page setup size by the amount of those
borders
- selectable in PAGE setup> manage custom sizes> printer margins – the quad
whatever
will be selectable and will tell you the border sizes
any time your doc size approaches page setup size it does that “print half A4″
thing
just give it some space
You can’t print edge to edge..
Also re resolution: you just have to print on the highest one
it is slow”
Based on this I decided that the borderless option was mote and that I would add margins to of .13″, .13″, .13″, .56″ and scale my image to be 16.76″ x 72″. That did the trick. I have now cleared the 17″ x 72″ pano hurdle.
Posted in Alternative Photographic Processes, Digital Negatives, Epson Stylus Pro 4000, Quadtone RIP.
By Scott Huette
– September 11, 2008